I recently attended concerts at two out-of-state prestigious university level music schools, and from a noise control point of view, the auditoria couldn’t have been more different. While the room acoustics of both halls were superb, the background noise level in one was quite distracting. (more)
Video Wall Design Considerations for Corporate Webcast Auditoriums
Out of curiosity, we asked one of our current clients what made them pick Acoustics By Design to be their audio-video consultant for their corporate webcast auditorium project. We beat out several national AVL consulting firms to get the project, so what made the difference? Well, there were a list of reasons why ABD was the best fit. One reason was that we took time to understand the client’s vision, and that we proposed the concept of a video wall rather than the traditional approach of using several projectors to accomplish their complex webcasts. Cool. So why did we pitch the idea in the first place? (more)
Analog vs. Digital Sound Boards | The Top 3 Factors
On practically every project we work on that has a significant sound system, we have a discussion with the stakeholders about whether the main mixing console should be an analog board or a digital board. In a nutshell, we can boil the discussion down to 3 main points… Price, Flexibility, and Ease of Use. Here’s why… (more)
HVAC Noise Is Intruding On My Listening
Being a noise engineer, I’m always on the “listen-out” for cases of poor building acoustics. I find that common offenders are noisy air handling (HVAC) systems. Frequently the public venues are restaurants, hotels and cinemas, and on occasion it’s a location most tragic, a performance space. (more)
Apples, Oranges, and Sharp Pencils
In the world of sales idioms, you never want to compare “apples with oranges”, but you always want the salesperson to “sharpen their pencil.” You don’t want to compare two unlike things, but you do want to make sure you get the best possible price. So, in the world of audio-video design, how do you know that you are comparing apples with apples and making the right purchase for the right price? (more)
Several weeks ago, a client invited me to a rehearsal in their highly reverberant space that ABD was hired to test and correct. I declined, as I already had plans to attend a play that evening at a different facility, and joked that during the performance I’d also be listening to sirens from the main street outside the theater. Nearly every time we attend a performance in this space, we hear sirens going by the building. Sure enough, on cue in Act II, “errrrrreeeeeerrrrrhhh” slices into the hall. My husband and I shake our heads. This is why sound isolation of performance spaces from outside noise intrusion is so important. (more)
Kachur to Speak at Audio Engineering Society
Every audio engineer must have a thorough understanding room acoustics to effectively perform their job. Mandy Kachur, Senior Consultant at Acoustics By Design, will discuss the fundamentals of acoustics for both large and small spaces at an upcoming meeting of the Audio Engineering Society. The discussion will focus on room modes, sound absorption, sound reflection, sound diffusion, sound isolation, and reverberation time. (more)
Acoustics from the Ancient Amphitheatre to the Modern Arena
In the days of the ancient Romans, crowds would gather by the thousands in the amphitheater to see a wide range of events: public ceremonies honoring brave soldiers, performances of dramatic presentations, or the gruesome games of the gladiators. Although the events were a visual extravaganza, the amphitheater and coliseum were also designed acoustically to allow the entire audience to hear. Fast forward two thousand years, and we still gather in large groups to see college graduations, rock concerts, sporting events, and more. Two of the primary senses that are titillating to the large masses still remain the same: visual and aural stimulation. (more)
Acoustics By Design Receives “Best of” Award for Acoustical Engineering
Acoustics By Design has been selected for a 2009 “Best of” Award in the Acoustical Engineering category by the U.S. Commerce Association (USCA). The “Best of Local Business” Award Program recognizes outstanding local businesses throughout the country. Each year, the USCA identifies companies that they believe have achieved exceptional marketing success in their local community and business category. These are local companies that enhance the positive image of small business through service to their customers and community. (more)
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The Speaker Shootout at High Noon
Question: How do you assure your client that they are getting the best possible speakers for their Auditorium or Fine Arts Center? Answer: You hold a “speaker shootout”. Recently one of our clients was in this exact situation, so we did just that. We invited several manufacturers of line array speakers to show up, all on the same day, so we could let our client hear the differences in sound quality back and forth in the exact same auditorium they would be installed in. Three different manufacturers arrived, speakers in tow, to hang their line arrays for the shootout. As the client’s AV Consulting Firm, we were there to moderate the shootout and ensure that each manufacturer got a fair shake (clean signal, volume levels, sound power levels, and so on). And then we began. The client had arranged for a group of about 20 listeners and key decision makers to join us for the shootout as a virtual “jury” to help decide which speakers to purchase. May the best speakers win! (more)
Elbows vs. Sound Attenuators: Interchangeable?
It is common belief that a series of elbows near an air handling unit (AHU) can accomplish the same insertion loss as a manufactured duct sound attenuator. It’s true that elbows are less expensive than sound attenuators, but what acoustical performance is really achieved with this “low cost” substitution?
Let’s compare the two designs. Using the tables presented in the 2007 ASHRAE Handbook – HVAC Applications, for any type of elbow (round, rectangular, acoustically lined or not), the width of an elbow (in the plane that it turns) must equal or exceed 30 inches to get ANY insertion loss at 63 Hz. A 30 inch wide elbow provides only 1 dB of insertion loss (IL) at 125 Hz . These two frequencies are typically of concern when reducing sound from AHUs.
Coordination for AVL Consultants and Project Teams
Perhaps the toughest and most critical element of designing AVL systems for auditoriums is proper coordination with all the other teams. As audio-visual and theatrical lighting designers, we find ourselves being selected to join teams all throughout the process, from design development to construction administration to commissioning, and this can create a lot of challenges for the AVL system integration. (more)
It’s time for another semester, and I tell my architecture students that if there’s one thing they learn in my acoustics class, it’s that porous absorbers do not block sound. A porous sound absorber, by definition, has many tiny interconnected voids that sound travels through. Fiberglass and open cell foam are examples. The sound wave loses its energy through friction between the air particles and the fibers/void walls of the material it is passing through. (more)
Binaural Recording with a Dummy Head
This past week, as we took acoustical measurements at the Calvin College Fine Arts Center in Grand Rapids, Michigan, a music teacher poked her head into the auditorium and asked if aliens had landed. “Well, not exactly”, I said. But I admitted that it did look and sound a lot like it. Binaural “dummy head” recording isn’t exactly something you see (or hear) everyday, so here is a brief glance at why this technique is used by acousticians. (more)
Perception Vs. Reality: What Our Ears Hear
It seems like everyone is talking about decibels these days: “5 dB of this” and “3 dB of that.” As acoustical consultants, we hear people using these metrics and often wonder to ourselves, “Do they really know what a decibel is?” Occasionally, someone is brave enough to ask the more important question, “Just how much is a decibel?” The answer to that question is, of course: well, it depends. Are we talking about physical sound levels or perceived sound levels? There is a big difference! (more)
Auditorium Noise Isolation: You Gotta Keep Em’ Separated
Mixing noise pollution with an intimate auditorium setting is almost always a bad idea, and as the song says, “You gotta keep em’ separated.” There’s nothing like untimely noise pollution to ruin the flow of a good theatrical performance or vocal recital. For our purposes today, we will define “noise pollution” as any unwanted sound impeding at an unwanted time. When you’re engineering acoustical solutions for an auditorium, the importance of noise isolation is paramount, and it’s the only way to really keep the “bad sound” out. Noise pollution can hinder speech intelligibility and greatly reduce the ability for an audience to hear and understand what is being said. In auditoriums, noise pollution can come from a wide array of culprits from within or without the facility. (more)
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