Training Tips for Church Tech Teams
I run sound at a local church about once a month. I used to spend time behind a mixing board several times a week, but these days it tends to be more time in front of a computer. Several recent discussions with the Music Director at the church got me pondering this question: What really makes a “good” mix? And the inevitable follow-up question is: How hard is it to train a church tech team volunteer so that they can get a “good” mix as the church sound board operator? Here’s my opinion… (more)
Quality, Service, and Price – How Acoustical Consultants Stack Up
Recently a client called to say they were trying to make a decision between our acoustical engineering firm and another acoustician for a church project they were working on. The client had received proposals from Acoustics By Design and another firm, but wanted to discuss the topic from a “quality, service, and price” perspective. So what did I tell him? (more)
Troubleshooting Church Sound Systems
Recently I was working with a church that was experiencing some “issues” with their sanctuary sound system. They had just reconfigured their main worship space and everything had been fine. But now that several weeks had gone by, things were not right. They asked if I could come and help work with their sound volunteers to get everything straightened out. I’ve worked with many churches in somewhat similar circumstances so, at first glance, nothing in this scenario seemed out of the ordinary. (more)
Optimizing Church Sanctuary Acoustics for Congregational Singing
I recently received a call from a pastor asking how to enhance their congregational singing. The church had recently inherited a new building, and the pastor was concerned that the congregational singing was just not “what it should be”. The band was great, and they rocked the place out. But the congregation was feeling a bit overwhelmed and “lost in the crowd”. (more)
Best Audio/Visual Design Awarded to Cornerstone Church
The new Cornerstone Church campus is proof that good design is worth waiting for. After three years of design and eventual construction, the new church facility opened to rave reviews and experienced an immediate jump in attendance. The “wow” factor of the campus is the state of the art audio, video, and lighting system in the sanctuary designed by Acoustics By Design and integrated by Parkway Electric. Recently, the church was awarded for Best Audio/Visual Design at the 2010 Associated Builders and Contractors Awards Program. More
Noise Isolation for Church Cry-Rooms
Most parents will tell you that they just wish they could understand why their baby is crying. As cute as babies are, the reality is they can be immensely distracting during church worship services. So what can you do about it? (more)
Everybody talks about “training the tech team”, but in reality it seems that it very rarely happens as well as it needs to. I think perhaps what people commonly refer to as training could better be described as demonstration. Showing tech people how to push faders, twist knobs, pan cameras, and dim the lights is critical for people to understand how the equipment works, but is this really “training”? (more)
The Top 5 Acoustical Challenges of Church Video Venues
Church video venues are popping up everywhere. For many churches, they have become the go-to solution for solving the growth “problem”, which of course is a good problem to have. Church video venues are great for a number of reasons: they can offer an alternative worship music experience, they can keep a church unified by offering the same video sermon (live or recorded) to multiple venues, they can be a terrific option for landlocked churches, and much more. But what about the acoustics? What are some of the most pressing acoustical challenges of church video venues? (more)
Whitespace Frequency Update for Wireless Microphones and the FCC
The world of wireless microphones continues to evolve and become more complicated with every passing day. Just a brief re-cap of the last couple years: The FCC has passed a series of rules over the last few years to move the analog TV stations out of the 700MHz band and force them to broadcast all digital signals. The 700MHz band was then sold off at auction to private companies. This band of frequencies was one of the most popular for wireless microphones and the auction meant that this band could no longer be used for wireless mics. The latest rule from the FCC mandates that all secondary users of frequencies in this range must cease operation by June 10, 2010, regardless of whether there is specific interference. (more)
How Churches Use Multiple Screens in Worship
My last blog discussed using a large video screen as the backdrop for your church stage. We discussed the benefits of using that type of technology. Today, we’ll move beyond the single screen. There are several reasons why we we would consider using multiple screens to decorate the auditorium of a church. This blog features photos from my time on staff at Northridge Church in Plymouth, Michigan. (more)
Video Screen Backdrops are the new Stage Designs for Churches
Decorating and designing stage sets for church sanctuaries can be a daunting task. Let’s look at a brief calendar of the church year. Traditional Christmas services are followed by volunteer holidays and a New Year celebration. There may be a Super Bowl Sunday and then a candlelit Maundy Thursday followed quickly by an Easter sunrise celebration. You’ve got weddings, funerals, baptisms, baby dedications, and on and on. And most importantly, you’ve got the “normal” weekly church services and sermon series to keep you busy. Even the best decorating committees have trouble keeping the pace. So how can you make it all work? (more)
Acoustics for Video Venues & Portable Churches
From mega-churches to small town congregations, the video-venue concept is becoming a staple of church growth. For those not “in the know”, a “video-venue” is a church meeting where parts of the service (typically the sermon or message) are piped in via video signal and projected on a large screen, while other parts of the service (like the music or announcements) are done live. Since the sermon is filmed in the “main sanctuary”, it can be broadcast to different rooms within the same church building (onsite video-venues) or to campuses across town, out of state, and beyond (offsite video-venues). As a devoted church member and as an acoustical consultant, I have experienced many different types of video venues firsthand, and I have found a common thread of acoustical “challenges” they typically face. If you are planning a video-venue or portable church ministry, here are some important items to consider before selecting your new space… (more)
How Churches Save Money with Independent AVL Design
In this economy, everyone is trying to cut costs and save money, and churches are no exception. With most church budgets relying 100% on church member donations, there is a heightened sense of concern amongst church boards to spend the money wisely. So when churches hear about an AVL company that will design a new Audio, Video, and Lighting system for “FREE!” many of them jump at the chance. But what does a “free” AVL design package really get you anyway? (more)
Why Techies Buy Audio-Video Gear Online
My church recently decided to upgrade from our old analog mixing board to a brand new digital mixing console. The interesting part of this process was that they did not buy it through a local AV contractor. They purchased the sound board online through a company that specializes in phone and internet box sales. This got me thinking about the trend over the past few years in which more and more Audio Visual end-users purchase equipment from online sources instead of the local dealer or shop. Is this a good thing or a bad thing? And why is this becoming the norm? (more)
The Varying Acoustical Needs of Churches
Some acoustical environments are straightforward in purpose. A movie theatre, for example, needs to project the sound of the movie with precision and clarity to all seats in the house. Most acoustical environments, however, have varying needs which are dependent on their content and delivery, and the Church is no exception. Today’s churches use a wide variety of forms of aural communication – drama, dance, video, soloists, choirs, the spoken word, and so on. But by far, the two most prominent aural elements in church services are music and the spoken word; two elements that require vastly different (and somewhat conflicting) acoustical environments. Today we will explore the optimal environments for both. (more)
White Space Update for Wireless Microphones
Several months ago (10-13-08) I wrote about the current state of the wireless microphone frequency spectrum and how the actions of congress and the FCC are shaping the future of wireless technology. Well, several notable updates and changes have been made since that time. You may recall that February 17, 2009, was the date set for the transition to DTV (Digital TV). Congress (in all its wisdom) decided that it would extend the deadline to June 12, 2009. (more)
Traditional Church Acoustics: The Battle For Art and Audio
For centuries, traditional church architecture has been pregnant with meaning and symbolism. The building itself, from interior to exterior, is meant to carry a visual message that transcends language. This is why art and aesthetics play an uncompromising role in traditional church architectural planning: because they help to convey the truth of that ancient message. The traditions are upheld by creating spiritually (and aesthetically) rich environments through the use of symbolism and focal points – ornate crosses, stained glass windows, and so on. When our acoustical engineers and audio-visual design consultants (many of whom are dedicated church members and volunteers themselves) meet with churches leaders to discuss their needs, there always seems to be some tension between art and audio. So, which should take priority? (more)
Decision 2008 – White Space Disaster for Wireless Mics
Last Tuesday, while many of us were casting our votes in the presidential election, the Federal Communications Commission (FCC) was making a landmark decision of its own. On their private ballot was a proposal to open the so-called “TV White Spaces” of the frequency spectrum for expanded use. And on November 4th, the proposal passed. Sounds all fine and good, right? Well, maybe not. If the FCC’s current plan goes through, it will lead to a crossroads for the wireless microphone industry and for AV designers. (more)
I worked for years in churches as a Technical Director, and during my tenure in that position I had a front row seat on the effects of volunteer-installed equipment. While there is a time and place for volunteers to do some elements of installation, let me say that it’s generally a bad idea. Not because volunteers will always get it wrong, but because volunteers are too valuable to compromise. Here are a few observations/experiences from my years in the trenches. (more)
Acoustical Design for Contemporary Churches
The challenge with contemporary church architecture is that the term “contemporary” means a lot of different things to a lot of different people. For some, it means a praise band and a projector. For others, it means the service is full of drama, dance, video, interactive preaching, and more. With all the different styles, a lot of contemporary churches feel stuck in the middle with facilities that are in between “where it is” and “where it ought to be.” (more)
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