Mechanical Background Sound in Exam Rooms
January 2010 held a highly anticipated milestone for acoustical consultants. The definitive guide called 2010 FGI/ASHE Guidelines for Design and Construction of Health Care Facilities has a greatly expanded acoustics section in this year’s edition. The section went from a solitary partition transmission loss table in prior issues to an eighty page guideline that comprehensively covers exterior noise, acoustical finishes, background noise, sound isolation, vibration, sound masking systems, audio systems and alarms. As a result, acoustical consultants are hoping that architects and engineers will appreciate the breadth and importance of acoustics and consequently incorporate acoustical design early in a project when it is most cost effective. (more)
Anechoic Chambers – What They’re All About
So what in the world are anechoic chambers? In short, they are the consultant’s and manufacturer’s best friend when it comes to acoustics. Anechoic chambers are primarily used for a variety of acoustical measurements that determine just how much noise a product is making. These chambers are most notable for their strange appearance… their foam filled walls, ceilings, and sometimes floors of spikes look a bit like a Nerf torture chamber; if you filled them with plastic balls they’d be a hit attraction at your local Chuck E Cheese. But alas the soft spikes are not meant for harm or play but rather to absorb as much sound as possible, so that you can measure the true sound emitted or reflected off of whatever noise source you are interested in. (more)
How to Gradually Reduce Employee Noise Exposure
Industrial plants are most often loud and dynamic work environments. Noise fields are complex with varying levels of noise produced by many different pieces of equipment, and employees spend varying amounts of time near the different noise sources. Sound levels are even impacted by the building, with taller spaces generally quieter than single story spaces, sound absorbing room finishes sucking up some of the noise, and partitions blocking sound. Measuring worker noise exposure is simple. (more)
Acoustics from the Ancient Amphitheatre to the Modern Arena
In the days of the ancient Romans, crowds would gather by the thousands in the amphitheater to see a wide range of events: public ceremonies honoring brave soldiers, performances of dramatic presentations, or the gruesome games of the gladiators. Although the events were a visual extravaganza, the amphitheater and coliseum were also designed acoustically to allow the entire audience to hear. Fast forward two thousand years, and we still gather in large groups to see college graduations, rock concerts, sporting events, and more. Two of the primary senses that are titillating to the large masses still remain the same: visual and aural stimulation. (more)
Healthcare Study Links Noise to Patient Satisfaction
For years, the healthcare industry has used patient satisfaction surveys to gauge hospital performance and to identify ways for improving the healing environment. And the industry’s standard surveyor, Press Ganey Satisfaction Surveys, has always shown the number one patient complaint to be “noise in or around the room.” As acoustical consultants, we know that noise plays an important role in patient and staff satisfaction, but measuring just how much of an affect has always been difficult. Until now. (more)
An Opportunity Lost? GM’s Saturn Division – Success Squandered or Just Delayed?
Early in my career, I was a young acoustics engineer working at the General Motors “Noise and Vibration Laboratory” (NVL) where our function was to provide automotive noise and vibration control solutions to the various vehicle development teams. At one point, my job was to lead the design and development of the noise control (”Sound Package”) solutions for the original Saturn vehicle line. So when I saw the recent news about Roger Penske & Penske Automotive Group acquiring the Saturn brand from General Motors, I found myself thinking back on the glory days of Saturn: what made them so unique, and what solutions will bring them through the current economic recession? (more)
The Varying Acoustical Needs of Churches
Some acoustical environments are straightforward in purpose. A movie theatre, for example, needs to project the sound of the movie with precision and clarity to all seats in the house. Most acoustical environments, however, have varying needs which are dependent on their content and delivery, and the Church is no exception. Today’s churches use a wide variety of forms of aural communication – drama, dance, video, soloists, choirs, the spoken word, and so on. But by far, the two most prominent aural elements in church services are music and the spoken word; two elements that require vastly different (and somewhat conflicting) acoustical environments. Today we will explore the optimal environments for both. (more)
Acoustics, Patient Care, and The Healing Environment
The healthcare industry is booming and your healthcare costs are rising, so what do you get out of it? Well, besides higher monthly premiums and insurance costs, you do get one thing: choice. You have the freedom to choose between everything from primary care providers to hospitals to outpatient clinics to rehabilitation centers. And this choice is driving up the competition between healthcare providers causing them to place a higher priority on, well – you – getting you and keeping you as a loyal customer, uhm… I mean patient. (more)
It’s time for another semester, and I tell my architecture students that if there’s one thing they learn in my acoustics class, it’s that porous absorbers do not block sound. A porous sound absorber, by definition, has many tiny interconnected voids that sound travels through. Fiberglass and open cell foam are examples. The sound wave loses its energy through friction between the air particles and the fibers/void walls of the material it is passing through. (more)
Binaural Recording with a Dummy Head
This past week, as we took acoustical measurements at the Calvin College Fine Arts Center in Grand Rapids, Michigan, a music teacher poked her head into the auditorium and asked if aliens had landed. “Well, not exactly”, I said. But I admitted that it did look and sound a lot like it. Binaural “dummy head” recording isn’t exactly something you see (or hear) everyday, so here is a brief glance at why this technique is used by acousticians. (more)
Perception Vs. Reality: What Our Ears Hear
It seems like everyone is talking about decibels these days: “5 dB of this” and “3 dB of that.” As acoustical consultants, we hear people using these metrics and often wonder to ourselves, “Do they really know what a decibel is?” Occasionally, someone is brave enough to ask the more important question, “Just how much is a decibel?” The answer to that question is, of course: well, it depends. Are we talking about physical sound levels or perceived sound levels? There is a big difference! (more)
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