Restaurant Noise – A Big Deal to Food Critics
Over the years we’ve used this blog to try and get the word out that acoustics can be very important when designing a restaurant and that the assistance of a qualified acoustical consultant during the design phase will save the proprietor both time and money while ensuring the ambience is top notch. So just how important is acoustics in a restaurant? I spent a little time looking around at recent restaurant reviews in Chicago and Detroit to see what I could find… do the critics notice? (more)
In an effort to be inspired, I happen to be writing this blog from my hotel room so it seems perfectly fitting that I write today about Hotel Room Noise Isolation. This is a bit of a tricky topic because there is a whole range of expectations that exist between the one or two star roadside motel and the 4-star hotel that I am currently staying in courtesy of our firm’s thriftiness and a sweet deal from hotwire.com. Of course, nobody checks into a hotel expecting to get a poor night of sleep regardless of the quality or star rating of the establishment. (more)
How Hotel Conference Rooms Can Make Money By Offering Audio-Visual Services In House
When hotel owners and managers consider the costs of upgrading their current hotel conference room audio-visual system, they often consider outsourcing these services to a live event production company – one that would bring in portable AV equipment and run it for the events. But more and more hotel managers are learning that offering the audio and video services in-house can be a lucrative cash cow. And they’re finding that the conference room guests prefer a well-designed AVL system as opposed to a portable hodge-podge system. So what is the best way to make upgrades to your hotel conference room audio-video system without losing your shirt in the process? (more)
Hotel Room Noise Isolation = A Good Night’s Rest
Due to the nature of our work and the locations of our clients, we are always traveling. One thing that I’ve noticed in my many years at ABD is that there is a vast difference in the quality of the rooms at any given hotel. When I check in, I have a few requests that I announce long before the desk clerk imprints my key. First, I always ask for a room on the opposite side of the hotel from the highway and second I ask for a room at the end of the hallway. So why are these things important to me? Acoustics, of course! (more)
Why Your Conference Room Technology May Soon Be Obsolete: Part II
As the VGA connector continues its rapid transition towards obsolescence (referred to in Part I of this post) many people simply assume that using adapters (such as HDMI to VGA) will solve the digital-to-analog connectivity problem. While this may work in the short term, it ignores the looming problem of DRM (Digital Rights Management), a way of encrypting new media to protect against copyright infringement. DRM uses something called HDCP (High Bandwidth Digital Content Protection) to control which devices are allowed to receive the video signal. So how will you know if you’re using digitally protected content? Well, for starters, your adapter will just stop working. (more)
Psychoacoustics: Transient Noise Grabs Attention
Have you ever noticed how some sounds catch your attention and others do not? For example, you are driving down the road thinking of your plans for the day and all of a sudden you hear a squeak in the dashboard. It draws your attention immediately, while the air conditioning fan likely does not. The squeak is intermittent (and likely tonal, but that’s a topic for another blog) and therefore stands out over the more constant sound of the fan. This reaction is similar to vision, where our attention is drawn by moving objects much more so than stationary ones. (more)
What Do Acoustical Consultants Actually Do?
As an acoustical consultant, I often have trouble answering the “what do you do?” question. The basic answer is quite easy, but unless the person asking the question is an architect, performing artist, or involved in music, they often don’t have a clue what the job entails. I ran into this problem the first time I met my mother-in-law. She genuinely wanted to know and understand what I did for a living, but not being involved in the performing arts or technical sciences made it difficult, and I had a hard time communicating my trade. So what exactly does an acoustical consultant do, anyway? (more)
Why Your Conference Room Technology May Soon Be Obsolete
You can’t get away from the digital age. It seems like digital technology is everywhere. As Audio-Video designers, the march towards all things digital is having an impact on display technologies as well. Meanwhile, flying under the radar, there is a subtle shift happening in how the average person shows information from a computer onto a projector or display. (more)
If It Sounds Like Noise to You, It May Be “Esion”
Fundamentally, sound is “that which we hear”. What we hear at any given time can greatly influence us. We use sound to communicate, to express warning, fear, pleasure and excitement. Some sounds can relax us and help us fall asleep, while other sounds can distract us and make it more difficult to perform simple tasks. Different sounds can be soothing and pleasing or annoying and irritating. Accordingly, determining “What is sound?” and “What is noise?” can become a highly subjective task. As engineers and scientists, it’s our job to generate generalized models that have a high level of correlation to humans (or to specific populations). (more)
The Leaky Bucket | How Sound Escapes
Blocking sound is often analogized to plugging the holes in a leaky bucket. If you plug up all the bucket holes except one, the bucket is still going to drain. In acoustics, an outstanding partition design will not adequately block sound if holes and weak spots exist where sound can find its way through. (more)
Elbows vs. Sound Attenuators: Interchangeable?
It is common belief that a series of elbows near an air handling unit (AHU) can accomplish the same insertion loss as a manufactured duct sound attenuator. It’s true that elbows are less expensive than sound attenuators, but what acoustical performance is really achieved with this “low cost” substitution?
Let’s compare the two designs. Using the tables presented in the 2007 ASHRAE Handbook – HVAC Applications, for any type of elbow (round, rectangular, acoustically lined or not), the width of an elbow (in the plane that it turns) must equal or exceed 30 inches to get ANY insertion loss at 63 Hz. A 30 inch wide elbow provides only 1 dB of insertion loss (IL) at 125 Hz . These two frequencies are typically of concern when reducing sound from AHUs.
It’s time for another semester, and I tell my architecture students that if there’s one thing they learn in my acoustics class, it’s that porous absorbers do not block sound. A porous sound absorber, by definition, has many tiny interconnected voids that sound travels through. Fiberglass and open cell foam are examples. The sound wave loses its energy through friction between the air particles and the fibers/void walls of the material it is passing through. (more)
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